Extreme Exposure at the Annenberg Space for Photography – Opening Night Hosted by Wallis Annenberg

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Wallis Annenberg is Los Angeles’ First Lady in civil service. Last week she hosted a soirée to open the latest exhibit “Extreme Exposure” at The Annenberg Space for Photography located just behind the CAA building (known in the entertainment industry as the “CAA Death Star“) in Century City.

Did you know that if Wallis Annenberg was not an L.A. resident, our city would be out one beach club, one school, one theater, one tree house (yes, that’s right, a tree house) and the newest edition to her philanthropic collection – a free admission exhibit space for photography in Century City.

It was a twist of fate and a love story that brought the Philadelphia native to Los Angeles when her then husband began his residency at UCLA; otherwise she might be doting on her own hometown today, where she teethed on art and philanthropy through the works of her father Walter Annenberg, a billionaire and art aficionado!

Extreme Exposure, at The Annenberg Space for Photography through April 2011, is a group exhibit featuring arresting imagery from five unique talents in photography who work on the close proximity with swampland creatures, lush jungles, polar regions and erupting volcanoes.

Extreme Exposure – October 23, 2010 through April 24, 2011.

The Annenberg Space for Photography
2000 Avenue of the Stars, Century City, CA 90067
Tel: 213.403.3000
http://www.annenbergspaceforphotography.org

Wednesday through Sunday: 11am-6pm
Closed Monday and Tuesday.
General admission is free.

A polar bear swims submerged in Lancaster Sound, Canada - 2004 - Paul Nicklen

Paul Nicklen - A leopard seal greets underwater cameraman Göran Ehlmé at Antarctica's Anvers Island. Location: Anvers Island, Antartica, 2006

Paul Nicklen A gentoo penguin chick peeks under the ice to check for patrolling leopard seals before tempting fate. Location: Port Lockroy, Antarctica February/March 2006

Michael Nichols, National Geographic Surrounded and protected by adult females, young elephants play and mock fight. After witnessing the massacre in Chad, Nichols worked to establish elephants as sentient creatures with intricate family ties. Location: Reserve, Kenya, Africa 2007

Paul Nicklen In spring, narwhals push into cracks and holes created by the receding ice pack as they migrate toward summer grounds. Location: Admiralty Inlet, Baffin Island, Canada July 2006

Michael Nichols, National Geographic A young tigress, recently pushed out of the pride by her mother, seeks relief from sweltering 120‐degree heat in a pool, despite its fetid brew of rotting leaves and monkey urine. She takes her own picture by breaking an infared beam. Location: Bandhavgarh National Park, India 1996

Michael Nichols, National Geographic A hippo surfs off the coast of Gabon. "Surfing hippos" are extremely rare; most hippopotamuses wade in rivers and lakes. These animals became protected after 13 national parks were created as a result of conservationist J. Michael Fay's Megatransect. Location: Loango National Park, Gabon, Africa 2003

The M Word (as in Muslim!! Shhh …)

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Dr. Nooshin Razani

By, Dr. Nooshin Razani

I guess you could call me a Muslim-American, although under normal circumstances I’d deny it — or any other label. If I had to be summed up in a word, I’d prefer mother, pediatrician, or if I was lucky enough, artist. As such, I tried hard to ignore the Ground Zero Muslim mosque-or-is-it-a-community-center thing. Like many of my peers, I’m currently obsessed with sustainability: my to do list includes a neighborhood garden, standing up for green and child-friendly spaces in my city. But since everyone seems to be all up in arms about the “M” word, let me set aside the pressing environmental concerns of my generation, and address why I proudly slip on the “M” identity on today.

I come from family that is very integrated into the US. We’ve been here for three generations (my dad and uncle came here at age 18, 1954 or so), and in our large extended family have cross cultural and cross racial marriages, members who are proud of their LGTB sexual orientations, a member of the US National Guard and US Army, as well as people who are active in their local community based Muslim organizations. I am not writing this essay to have you write me off as somehow different than “those other” Muslims on TV because my family is integrated and service oriented, but to argue that the very fact that we have had the opportunity to integrate into society in a very authentic way, the fact that we have been able to serve our neighbors and country is exactly what has made my group of quirky “Muslim-Americans” some of the best Americans there are. And we are not the only ones.

Some of my favorite childhood memories are of soup kitchens. There is really nothing like working in a soup kitchen with a multi-racial, multi-ethnic group of people and feeling like you are part of something very special that no other place in the world can offer, something inclusive. These memories balance the others, the memories of the shadow side of growing up as an “other”, and there are plenty of those. A short list of examples: in elementary school our windows were smashed with bricks and our tires were slashed, my hair was pulled and insults hurled. Now that I am raising young children here, I deal with constant reminders that we are considered different, including one of the most hurtful discussions ever about how to celebrate the various holidays at their daycare last year. It left me wanting to scream: hey! please don’t worry about us! we celebrate anything and everything as long as we can dance a little and eat a lot! Most revealing though, is the refusal to let the unacknowledged wall of stereotypes people have about me drop even after my brother, a medic in the US army, died while serving in the Iraq war in 2004. How he died and the circumstances around the war are very painful and a topic for a different essay. But did this tragedy get my family any more acceptance as Americans? Well, a few months after his death, I found out that I did not have Thanksgiving off from my work. When I asked why, I was told they “assumed I don’t celebrate Thanksgiving.” That was an interesting statement. What was it exactly about me that made them think that I wouldn’t celebrate Thanksgiving? Was it the Michael Jackson I blare on the way to work, the fact that my biggest regret in life is that I never learned how to Krump, or that my brother just died serving in the Army?

My intention is not to complain, but to emphasize that exclusion creates separation. Separation is the problem. Exclusion is not an effective means of ANYTHING.

If there is a Muslim community center near Ground Zero, that means that Muslim people will have a space to serve — their own community and those around them. Let young immigrants work in soup kitchens, let them learn about community activism, and the many American leaders who have caused change from the ground up. Let them experience the hard work that goes into caring enough about the U.S. to work with your neighbors to impact change. That really is the beauty of the United States, and I am hopeful that Muslim people will not be excluded from the right to be part of the solutions to this nation’s problems. Most importantly, allow Muslim-Americans to serve at or near the site of one of the most painful tragedies for all of us. Please don’t forget that Muslim-Americans were killed in the twin towers as well as passengers in the airplanes. Please don’t underestimate the level of shame many Muslims have that a horrendous act was carried out in our name. Allow Muslim-Americans to serve.

Today I also took time to dig up a few essays I had written in 2008 during the presidential election, and print them here. If you don’t have time to read them, here is an excerpt from my experience at President Obama’s inauguration:
The one thing I did hear was Obama including me in his definition of America. That moment, despite being born and raised in America, despite having a brother who gave his life in service to this country, at this moment, this Iranian-American, non-religious Muslim finally felt embraced by America. I suddenly felt the peace that comes with knowing you are where you belong. I did not feel alone because I was in the company of my brothers and sisters who would accompany me through the rough times ahead.

Essay 1: Sharing tears. Written Fall 2008

An Iranian boy dies in Iraq while serving in the U.S. army. What an amazing world we live in that allowed for a story like that. I take you back 4 years, midmorning at a Forest Lawn funeral home in Los Angeles. 300 overdressed, over-perfumed Iranian-Americans in black, a smattering of North Hollywood High School graduates, my multiracial extended family, and an impressive set of young men in Army gear. We hear from the Koran, knowing Omead would have preferred Hendrix or Cobain. We walk up a hill, carrying Omead side by side. Omead’s various families converge for this horrible task. We walk to the top of the hill, the Persian section, with “the best view” my dad points out. It is here that with disbelief, we hand him to the young men in uniform, carrying guns. In any other context this confrontation would be the scariest thing an Iranian-American could imagine. But here we are, a shared circumstance. With helpless respect for the honor Omead deserves, we observe the flawless, precise military ceremony in burying our son. So different than the passionate chaos of Persian grief. Then — the Quiet of TAPS — the violence of the gunshot salute, each shot piercing — noticing that tears are falling from military eyes. and finally, a release: — after handing my stepmother and father a flag and star in the place of their son, the commander embraces them. They, the men with guns and the Iranian immigrants, they hug. Each one of us. Our tears smear into each other’s. My brother’s being blurred all kinds of lines between us/them/them/us. In this painful moment, Omead helped me glimpse the irony. We — Iranians and Americans — and actually all the moderates in the world — have a shared struggle. At this time, we face two possible futures — one where we share tears while burying each other’s children, or one where we watch our children grow to share a world of tolerance. It is a struggle between the forces of fanaticism that will have our civilizations clash, and the forces of reason/ tolerance that will have us co-exist. The United States has the ball in its court this election. Dear moderate, reasonable people of the US. Please roll up your sleeves, drop everything, and work on getting reason back into the White House. Barack Obama has said that this election is about issues and not ideology. He is wrong. This election is absolutely about ideology. It is about changing the Mickey-Mouse delusions of the world we are currently fed into the real nuanced world we must start understanding. It is about sending a signal that we don’t tolerate fanaticism or fear mongering at home. It is about screaming out-loud that we don’t believe the world should or will end any time soon. Putting reason back into power is also the best way to help Iranians to do the same in their parallel struggle. It doesn’t stop with the election, because if we are not vigilant our leaders will disappoint us. Those of us who have suffered at the hand of fanatics, we have had enough, and we now stand fearless in defense of reason. Let us stand together, steadfast, and for as long as it takes, in defense of the future.

Essay 2: Sharing an inauguration, written November 2008

I insisted on wearing a skirt to celebrate our nation’s new presidency. I nudged and winked at mother nature, assuming she’d protect me from the cold so I could rise to the most formal occasion of my lifetime. Was I schooled. I woke at 3 am that inauguration morning, boarded the first running metro train at 4 am, and burst out of the train triumphant, no, downright arrogant about my self disciplined resolve. I looked forward to the front and center experience I surely deserved at this, the most important event of my era. Was I schooled. Was I humbled. This is the story of a crowd kicking and screaming for individuality, but being forced to be one. This is the story of being absolutely vulnerable to the people around you. This is the story of being disappointed despite impeccable planning. This is the story of realizing the only thing you control during the ridiculousness of this life is your attitude. My friend/sister, her 4 year old son, her parents, and 10,000 others accompanied me during this journey through a tunnel. As we ascended the metro escalator at 4:30 am that morning we were stunned but excited to see masses already in front of us. There were new blockades in place since we had planned our route the day before, so we were disoriented. We asked any policeman we saw, all volunteers from other states, how we could get to the National Mall. Each gave a contradicting answer, only a few gave the welcome and honest “I don’t know.” So anxious that we would not lose our place, we followed the stream of people entering an underground passage. The sign with an arrow pointing into it, saying “National Mall” seemed to make this route a safe bet. Upbeat and ambitious, we were on our toes. Competing diligently over inches of space in order to move forward in line, we soon noticed a wise looking young African-American man with a green blanket draped around him, a beard, serene eyes, and a relaxed face. He wasn’t moving at all. As I became indignant towards people pushing ahead, he said, “Let them go. There is no where to go. This is it.” Turns out we stood in a line leading to a security check point. The check point would not be opening until 7 or 8 am. Let it go. There was no where to go. This was it for the next 3 or 4 hours. As we settled in to our spot, rumors started circulating that this line led to the parade seating and not to the National Mall. Turning to gauge the possibility of an escape we looked behind us to see waves and waves of humanity extending into the horizon behind us with new hoards coming out of the metro each second. There was no way out. Let it go. There was no where to go. This was it. Over the next three hours in the relentless pre-dawn cold, I sang and laughed with, complained to and became angry with, rationalized optimism with, bonded over the uselessness of chemical heating pads with, debated “are toes really necessary anyways?” with a multicultural crowd of strangers. The goal — do whatever necessary to keep hope. Highlights included breaking into song with thousands of other people. “Lean on me” was the most moving. “Obama, Obama” was the most frequent. Don’t get me wrong, I doubted. First of all, I fretted, whose in charge here? No secret service, no police, no military. Isn’t this the most anticipated event of the year? Where is the police state I thought monitored the citizenry’s every move? Accustomed to an infrastructure to enforce the peace and justice, we were now only as safe as each of us chose to be. Second of all, every so often a surge of pressure would ripple through the crowd, and I would be pushed into the person in front of me. Occasionally someone would quietly mutter “Oh no, remember the person crushed at Walmart?,” then quickly pretend they didn’t say it. It became clear that the only reason those of us at the front of this tunnel were not crushed was because of the composure and patience of each of the 10,000 people behind us. The heartbreak came at about 6:30 am when a cell phone streaming CNN live was passed around. To our horror we watched the National Mall, already more than three quarters full, continue to fill quickly. We quietly realized that we may experience history in a tunnel, freezing and forgotten. At about 7:30 am, a woman came out with a loud speaker and muffled some Charlie-Brown style incoherence. Shortly after that the March of the Penguins started. Imagine March of the Penguins, and you will understand exactly what we experienced. We were a mass of humanity inching forward able only to see the person in front of us, not knowing if we were being led off a cliff. Some comic relief came when a man shouted not to take it personally if you feel hands on your booty (the women in the crowd laughing while rolling their eyes). Several of us created a safety zone around my friend’s 4 year old son with our bodies, and yelled “be peace,” “slow,” “no pushing” as the larger crowd lurched forward when they figured out that the doors had opened. At this point, I was only asking God to help me get out of this situation, and did not care whether I saw an inauguration. We cleared security screaming and hugging only to realize that Pennsylvania Avenue was closed because of the parade and we were on the wrong side of it. I will spare you the freezing and frustrating hours that followed, but will tell you that by the time Aretha sang, I was arriving on the National Mall. I was probably the farthest person from the stage, standing by the last rows of porta potties, and by this time separated from m friend and her family. When I arrived at the Mall, I cried quietly and sincerely. I don’t remember any of the speeches because, at this point, this wasn’t about the people on the screen but the people next to me. The one thing I did hear was Obama including me in his definition of America. That moment, despite being born and raised in America, despite having a brother who gave his life in service to this country, at this moment, this Iranian-American, non-religious Muslim finally felt embraced by America. I suddenly felt the peace that comes with knowing you are where you belong. I did not feel alone because I was in the company of my brothers and sisters who would accompany me through the rough times ahead. So, with humility about the forces we do not control, here we are. Here is the ridiculousness of our circumstance. Here is the hope that we will get through it with song, laughter, long lasting bonds, and without trampling the most vulnerable amongst us.

- Dr. Nooshin Razani was born at Cedars Sinai, raised in West LA and attended Buckley.

Lauren Weisberger new novel: Last Night At Chateau Marmont, in bookstores this week

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Uh, did someone say the author of The Devil Wears Prada (Laura Weisberger) has a new book out called Last Night at Chateau Marmont?? If I had a dime for every time one of my friends said or someone at the Chateau said – “I should totally write a book about this place” … but never does.

After reading Publishers Weekly’s review, it sounds like this book is about people who move to L.A. and haven’t a clue (read: F.O.B.s) rather than people who just naturally hang out at Chateau and are in the scene. Who wants yet another book about a wannabe who gottobe? Sounds like this book (tho I LOVED Devil) is just trading on a good name. Boo already. The Chateau is not for gawking; its for ordering spaghetti bolognese and smoking on patios (illegal in L.A. now everywhere except here).

See Lauren Weisberger’s website for more info.

Becca X The Daily Truffle: New logo art from Street Artist Becca Midwood

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Progression of a masterpiece ... Daily Truffle 1 of 2 from Becca

Becca, internationally renowned as the premier female street artist of her generation, has lent her interpretation of the pre-existing The Daily Truffle logo. The Daily Truffle logo features a girl and her pig on the hunt for that next big truffle (in Los Angeles); an icon which reflects the efforts of the website’s contributors, all of whom have grown up in Los Angeles, to provide lesser-known insight into the illusive ‘L.A. upbringing”.

Longstanding subjects of Becca’s art have always been young girls, pretty ladies and barnyard animals, making her an obvious choice for The Daily Truffle’s first artist collaboration. Becca’s works can be found in the private collections of Phillip Forbes, Leonardo DiCaprio, Leonard Cohen, Aileen Getty and David Arquette – and now on The Daily Truffle. Our logo – here on The Daily Truffle and on The Huffington Post, where we are now syndicated, is seen by thousands of people everyday so this is a great way for us to promote an artist and give our readers something we think is pretty special.” The first piece “Daily Truffle” will be on display at her upcoming show this July 10th – August 3rd at Copro gallery in Culver City. The second piece “Daily Truffle 2” is being shopped around to potential permanent street locations with public visibility. Both images will be used in prints, t-shirts, totes and iPhone holders, available for pre-order now through The Daily Truffle. Read Q & A with the artist at www.thedailytruffle.com. Email beccapromo@dailytruffle.net for ordering information.

Slideshow:
Fullscreen:

Q & A with BECCA MIDWOOD:

You have a new show coming up in July at Copro, what can we expect to see in the show? How many pieces and what?

BECCA: 17 paintings & 2 benches

What has preparing for the show involved?

BECCA: 8 months of work. i paint or frame everyday. Since i frame all my own pieces there is always work to be done.

Can we see pics from your workspace/studio?

BECCA: sure. i work in my open air garage.

What pieces are you most excited about showing?

BECCA: well, of course, the daily truffle piece but i’m excited about all the pieces in this show. there are a lot of pieces that didn’t make the final cut.

Tell us about your bench concept and any more pics you’d like to send of them.

BECCA: the bench concept is a simple one, i want there to be a place for people to sit. when i get to LA i will finish constructing the benches, all i have now are the tops.

Where are you currently living and do you plan to come back to L.A.?

BECCA: i’m living in Austin and would love to move back to LA

Tell us about your documentary! How did that come to be?

BECCA: i was approached by jetset graffiti last year to make this documentary. we are still working on it.

Here are some pictures from Becca’s art show in L.A.


“Daily Truffle” by Becca is 41″ x 24′ acrylic on wood, and is expected to sell for$2,900. Inquiries about the piece can be made via the gallery website here: http://www.copronason.com/beccaweb/. All proceeds go to the artist.

Other versions:

Street artist Becca hits Beverly Hills, new piece on Brighton Way

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When I think of what I wish I could do for The Daily Truffle, I think of Becca, the street artist who paints little girls on walls so sweetly, no one can help but love it and not think of it really as graffiti. That is the only way street art could last on Brighton Way in Beverly Hills.

BH-ers say this Brighton Way alley piece between Rodeo and Camden, across from Armani, has been there for the last 6 to 8 weeks.

Upon closer inspection, I see she did not paint this – she actually used a paper adhesive instead of spraying the wall itself. IF the owners of the building are unhappy with it, it would be easy to peel off. How considerate Mme Becca!

When I think of our own logo, I always think of Becca’s drawings. My vision for The Daily Truffle is a girl on the town hunting for that next big truffle (of news, that is) with her sleuthy cute pet pig (pigs are the traditional truffle hunters, as in mushrooms, that is). I had some designs based of the spring 2010 Zac Posen runway with Coca Rocha from that inspired a tentative logo for the site (scroll to end).

I’d rather have Becca do it tho … I wish I could get her to draw our DT girl and her little pig all over Bev Hills and WeHo for us. Becca, if you are out there, or anyone who knows how to find her, please get in touch and create our logo! caroline@dailytruffle.net
xoxo

Maria Callas Costume Exhibit at the Italian Cultural Center in Westwood

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Let me start by saying I am not a fan of Maria Callas’ voice.  To my ears the timbre of her instrument lacks that bell quality I prefer in the soprano voice.  This does not mean that I think she was without skill or talent.  Opera, unlike other forms of classical music, is much more than just what is taken in by sound.  The stage element of opera–the drama–requires the attention of all the senses of an audience.  When that audience is so captivated, as so many were by Maria Callas, they can vault a mere mortal into “living legend” status. To see A Woman, a Voice, a Myth at the Istituto Italiano di Cultura in Los Angeles is to catch a glimpse of the Callas mystique which most opera aficionados cannot ignore.

The principal arrangement of costumes in the main area gave ample space for each costume to be examined all the way around.  Black and white photos tastefully captioned provided perspective on the different stages (literally and figuratively) of Callas’ life.  Quotes from Callas and her colleagues were set in red lettering against the white walls and even the glass sliding doors.  I felt a designers sense of detail in this portion of the exhibit.  As for the costumes, I couldn’t help but remember that in most cases today, an opera production includes not only the sets, the props, and the wigs but also all of the costumes (which are constructed so that people of different sizes can fit into them).  Furthermore, usually a small tag sewn inside each costume lists who had worn it before.  Can you imagine being a singer and encountering Maria Callas’ name inside a costume for which you are to be fitted? It’s a safe bet that being so close to these costumes is as close as I will ever be to that scenario.  In my view that was the highlight of the exhibit.

A middle room had a broadcast of a filmed biography playing on a DVD loop.  Unfortunately the room was filled with so much outdoor light that the very large screen had very little contrast.  Still the film was informative and added to the general ambience of the exhibit as the audio provided a little of Callas singing and speaking.

A third room (the library) showed mostly stage jewelry and props in plexi-glass columns that allowed for viewing from every angle.  Given that these pieces were meant to be seen unto the back of large theatre, they were not exactly refined.  Clearly their value was more intrinsic than actual. Mannequins dressed in what appeared to be regular, non-stage clothes were also in that room.  It gave the impression that Callas, beautifully attired, seemed to be everywhere at once. Clearly it contributed to the Myth of the exhibits title.

To my view Maria Callas belongs to much more than just America or Europe; and even to more than just opera.  For that reason I would encourage anyone with even a passing interest in opera—or popular culture—to visit this exhibit. It is a rare opportunity to see up-close a little of what truly becomes a legend most: glamour.

Maria Callas: A Woman, A Voice, a Myth ~ March 16–April 23, 2010
Mon through Thu 10am to 6pm, Fri 10am to 5pm and Sat 10am to 2pm
Istituto Italiano di Cultura / Italian Government Cultural Office
1023 Hilgard Avenue
Los Angeles, CA 90024
tel. 310-4433250
www.iiclosangeles.esteri.it

Notes from an Oscar Party ~ Thursday, March 4th ~ Larry Gagosian re-opens expanded gallery in Beverly Hills

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Here are some thoughts on Oscar week i’ve had tonight …

Slideshow:
Fullscreen:

My mom and I agreed the Gagosian opening was delightful, and rare to see such an ecclectic crowd in Los Angeles from the way up to the way down. We saw friends, celebrities and other party circuit regulars:

  • Gallery owner Larry Gagosian
  • Artist/photographer and honoree of the evening, Andreas Gursky
  • Academy Awards host & actor Steve Martin
  • Vanity Fair biographer Bob-Colacello
  • Prince Farhad-Farman-Farmanian
  • Puppies! Puppies! Puppies!! I love art! Where else can you bring dogs?! Not only did a disabled man come with a gorgeous golden retriever but there were also 2 or 3 girls holding little dogs
  • Caradoc and his sister Sonse, an art-dealer from Paris
  • Jeff Katzenberg (CEO of Dreamworks and court side seat holder at the Laker’s game is also hosting the The Night Before Party this year, known as “THE” party of the season, which benefits the Motion Picture and Television Fund Foundation – which runs and pays for a retirement home in the valley for SAG actors who dont have the funds to retire properly)
  • Tracy Bjelland (SupperClub membership director) hobknobbing with director George Hickenlooper who has just wrapped production on a bio-pic on Jack Abramoff – an L.A. native and former lobbyist, currently incarcerated for defrauding American Indian tribes and corruption of public officials. The film stars Kevin Spacey as Jack Abramoff and is called Casino Jack (2010). The film also stars Kelly Preston and Jon Lovitz and is scheduled to come out later this year, close to coinciding date of Jack’s release – December 1, 2010.
  • Lauren Brokaw with friend Rachel Chapnik
  • Publicist Nicky Wyman
  • Stacey Bendet (deisnger for Alice+Olivia)
  • Sam Orlofsky - of the Gagosian gallery
  • Emily Smith AND Paula Froelich posing for pictures together!! (Emily was at New York Post and then took over Paula’s job at Page Six when Paula left last year to go freelance)
  • Designer Manuele Malenotti (designs for Belstaff)
  • Lawrence Bender (producer of  Inglourious Basterds and recently announced the start of his 3rd Kill Bill – will be ready in 2014)
  • Society photographer Patrick McMullen snapping away photos of everyone!
  • Andre Balazs (owner of the Chateau Marmont and The Standard in Hollywood)
  • Eugenia Silva (Spanish model and brand ambassador for Giorgio Armani and Chopard)
  • Brian Grazer observed Andreas Gursky’s satellite arial photos of Earth with his wife and New York society grande dame Louise Grunwaldhis daughter Sage is also a photographer
  • Harvey Wesintein (hosting a company party for Weinstein Saturday at the SOHO house)
  • Designer Madga Berliner
  • Barbara Davis and grandson Brandon Davis
  • Fellow artists John Baldessari (conceptual artist) and Ed Ruscha (Pop art artist)
  • Elizabeth Von Gutman who works for the Advertising Agency: The Saturday Group
  • John Waters (director) chatting with Adrien Brody
  • Lisa Love (West Coast editor of Vogue) with an adorable little girl in a striped dress I am guessing was her daughter?
  • Rodarte’s Kate Mulleavy
  • Gela Nash-Taylor & John Taylor (Duran Duran) and the parents of little hipster and Cobrasnake muse Atlanta de Cadanet Taylor
  • L.A. native and famous author of many a L.A. tale – Bret Easton Ellis (Less than Zero, The Informers)
  • Former Dior Homme designer and photographer (and our Beverly Hills neighbor) Hedi Slimane
  • Benedikt & Lauren Taschen (of the Taschen book stores)
  • Diane von Furstenberg (starred at my wrap dress  no doubt trying to determine if it was hers) with Tatiana Von Furstenberg and Alexander von Furstenberg
  • VeraWang who last night hosted a dinner with Vogue for her new store opening on Melrose (Reese and Rene were there)
  • Jamie Tisch, Steve Tisch
  • Jared Najjar (owner of Prism gallery on Sunset) with friends Nes Saban,  PC Valmorbida (Austrailian artist and it boy who held an openeing at Jared’s gallery last fall) and Stavros Niarchos, Jr (whose father is the late Greek shipping tycon)
  • Michael & Eva Chow who hosted the after party/dinner at their restaurant Mr. Chow down the street on Camden Drive
  • Drew Bird came with an outrageous baby blue feathered hat ~ Drew Bird is the designer behind Hatmosphere who put on the guerrilla moving fashion show on Rodeo Drive last month
  • Julia Stoschek (a member of the acquisition committee of the Media Division of the New York Museum of Modern Art)
  • Shala Monroque (editor for Dasha Zhukova’s Pop Magazine)
  • Designer Dennis Basso who will be featured on the QVC Oscar red carpet special tomorrow live from the Four Seasons
  • Tamara Mellon, co-founder of Jimmy Choo
  • Director /producer Bob Shaye
  • Other guests? Vivi Nevo, John Baldessari, Jean Pigozzi, Katherine Ross, Dani Janssen, Catherine Opie, Wendy Stark,  Nadja Swarovski, Mark Grotjahn, Nicky Haslam, Eugenio Lopez, Edoardo Ponti, Robbie Robertson, Kate Sumner, Bill Viola, Julie Minskoff, etc.

The Gagosian gallery just finished a massive expansion and now has three major rooms, a deck on the roof and some smaller nooks and crannies. The architect is world famous Richard Meier (Getty, Museum of Televison and Radio). Tonight was not only the opening Larry Gagosian‘s new and improved space but also the opening of his newest exhibit featurng the work of German photographer Andreas Gursky, who holds the record for most expensive phototgraph ever sold at auction in 2007 for over 3 million dollars at Sotheby’s. The most famous of his photos are composites and colored-in collages of large scale scenes, including a drug store, the Chicago stock exchange and a Madonna concert! Other famous work are his series of aerial shoots of Earth designed to bring perspective to the viewer of space and distance. I saw the Beiring Straight and the Hawaiian islands in on of the satelitte photos where my grandmother and uncles lived – who were in major distress earlier this week with Tsunami warmings resulting from Chile’s earthquake.

Outside the party I noticed an obscene amount of white Audi clean diesel SUVs along side the usual throng of armored black SUVs. But there were a lot  more tonight due to their being no valet which confused me at first but then I thought how charming it was that people could then stroll down Camden Drive past Christies (wait for it – Christies is busy tonight hosting an auction and party with Vanity Fair and BMW for The Art of Elysium at Palihouse tonight) and past Teuscher to Mr. Chow (daughter China is an L.A. native) where the after party was held …

As were leaving, we literally fell on top of yet another Oscar party at Louis Vuitton on Rodeo, just one block east.

I got a bbm from mon amie at the Mayor’s house. She had spotted white clean diesel Audis reading TDI on the side too!! Did you see one too?! I then realized it’s a gi-normous marketing campaign – I love a good marketing campaign but always feel a little had if I dont hear it from a first-hand source and am duped by it on the street.

Down the street in Hancock park, lanes were closed heading East for four blocks in all directions of the mayor’s house on Irving, as he was hosting the ritiziest party of the eve …  My friend at Villagrigosa’s party – which was sponsored by The Hollywood Reporter and Bing – tells me there was a protest ensuing across the street on Irving – city workers – some laid off – protestes the lavish affair.

What do think? I can’t decide. At first I heard there was so much traffic control and loads of cops on bikes, and the tv news vans were camped out front and it all just seemed like too much. Mayor Bloomberg can do this without the scrutiny but I am not sure Villarogsa is quite at the point where he cant flutter around with celebrities and act like a socialite.

Theatrically speaking, it’s all very Gotham City/Bruce Wayne to have a Mayor who throws the best parties in town but politically speaking I give it a thumbs down.

Mayor Villaragosa told Ch 7 news he is supporting an industry that creates great income for the city. Protesters say it’s a slap in the face. Jeremy Renner (nominated for the Hurt Locker) who was there told Ch7 it’s a huge concern but so are all the people dying for our country and its all a matter of perspective.

*Jeremy Renner is currently a topic of interest for canoldeing with Jessica Simpson at Guy O’seary‘s house last night a party Guy hosted for the film, The Hurt Locker – which has nothing to do with the party he will house for Demi Moore and Madonna on Saturday night, 24 hours before the Academy Awards.

My little adorable friend Lauren and I bbm-ed about Art of Elysium at the Pali house, Dior at the Chateau, etc, etc. Deciding on Sushi we called it a night and came home to blog. Tomorrow we will be at QVC party at the Four Seasons which is actually going to air live on QVC at the same time! So tune in and maybe you can watch us try out Cindy Crawford face toner or the new brand to QVC, Lilly & Van apparel (Lilly is the god daughter of Lilly Pulitzer and Van is the grandson of Douglas Fairbanks Jr.)

Oscar week is a crazy phenomina when all sorts of cool, unusual things happen – like Susan Sarandon hosting a ping pong tournament (at the Mondrian) but by far the most hocking thing that happened today is former governor Sarah Palin and daughter Willow showing up at my childhood classmate, Melissa Lemer ‘s Silver Spoon gift suite and getting free earphones. Sarah Palin also appeared on Jay Leno March 3:

Other parties today?

  • 3rd Annual Women In Film Pre-Oscar Cocktail Party Private Residence
  • 3rd Annual Essence Black Women In Hollywood Luncheon

Other parties yesterday?

  • GLOBAL GREEN USA’s 7th Annual Pre-Oscar Party
  • Academy Of Television Arts & Sciences Presents An Evening with “Modern Family”
  • MANIFESTEQUALITY OPENING NIGHT PARTY

How could you not LOVE L.A.!? How?

Weekly Juice – Renoir opening party at LACMA ~ Phillipe dinner hosted by Rachel Krupa, Ally Bernstein & Ali Wise ~ Supper Club dinner party at Eva

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Art L.A. Contemporary at the Pacific Design Center

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It’s rare I pick up an L.A. Weekly – but there I was at the Chateau waiting for my car, eating a complimentary apple they give on the way out and it was either Venice Magazine or that … So there one the first page was an for the coming of Art L.A. Contemporary during L.A. art month in January!! It was last month but I just got the pictures back …















Renior at LACMA ~ Opening for President’s Circle & Avante Gaurde

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This past Wednesday, I attended a fun party at LACMA to celebrate their new exhibit of “Renoir in the 20th Century,” which has been in the works for 6 years and assembles more than 100 paintings, drawings, and sculptures from the last three decades of the artist’s life.


 

Bubbly at Basel, a report from Miami’s Art Basel from Supper Club Founder, Tamsin Lonsdale

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Day 1- Thursday, Dec 3rd

After an excited event that I flew back to NY for on Tuesday night, as we co-hosted Bravo’s premiere of their new fashion forward show, “Launch My Line,” I hopped a flight down to Miami, with a full and growing list of fun to be had down at Art Basel.

Having been before and with so many members joining the festivity this year from London, New York and Los Angeles, I was excited to be hosting a really special event this year at The Viceroy.

2 PM Landed in Miami, tropical heat, sunshine and palm trees, excited to be back! Made my way to check in to The Viceroy where I would also be staying

Getting a sweet upgrade to a 2 bedroom suite, I was off to a great start and after a bit of emailing and work I was off to check out the 15th floor rooftop, where the longest pool in Miami resides. A stunning sky-high infinity pool stretches as far as the eye can see, only to be topped by the chandelier clad spa, on the 14th floor, with marbled plunge pools complete with a sauna and steam room. A bit of pampering I could certainly handle before my night was to get underway.

8 PM Excited to get my first taste of Art, I made my way downtown to Jamie O’ Shea’s Stages exhibit, to benefit LiveStrong at the Oh Wow Gallery…. Oh Wow indeed. Very unclear if this was a party or simply a gallery that was left unattended, I arrived into a parking lot where a man on a motorcycle, repeatedly revving the engine and skidding on a large canvas in front of a small audience, was making art. Unique in theory and design, however the fumes from this live art began to seep next door into the gallery causing quite the cloud of smoke. After a quick observation of some unique ring-pop inspired wall art and eclectic photographs I was just inspired enough to hit my next destination.

9 PM Head out to destination one, meeting up with a friend of a friend at the Fountainbleau, Blue Bar.  Appropriately named, and very South Beach-esq, the neon blue floor must have gotten to me as I was suddenly ordering a bottle of Perrier Jouet to kick off the night.

10 PM Headed to Scarpetta, within the Fountainbleau for a VIP dinner hosted by Flaunt Magazine. After a bit of disorganization, I kindly opted for a more low-key evening of appetizers and more champagne in the lounge, as I decided it was best to ease into the madness ahead that others were already accustomed to.

1 AM OK, so not such an early night, but I am not back at the hotel and will doze off to  a movie before repeating this all again.

Friday, Dec 4th

12 PM Off to a late start to a lazy day of some much needed R & R. Some last minute planning of our Supper Club event for Saturday, complete with a (ri)1 cocktail tasting, which certainly passed my test. After a good run, I was off to get ready for another night ahead.

7 PM Business meeting on top of The Hotel to get in a bit of work whist down in Miami, complete with… you guessed it, another bottle of Perrier Jouet. Business is always better with some bubbly.

8 PM After a high recommendation, I decided to check out the W hotel, which was a zoo outside, and feeling that it was too early in the night  for that scene I decided to head over to the Delano instead. Here, I met up with some friends, members and rocked to a great DJ poolside while sipping healthy Svedka cocktails.

10:30 PM Overhearing that our friends at AriZona were upstairs in the Penthouse  at the Visionary party, we made our way upstairs to scope out the scene. After some dancing and catching up with friends overlooking a beautiful Miami night, we wanted to finally grab some dinner, downstairs at Blue Door. Dinner came with a side of Veuve to keep our bubbly buzz going and we were off to continue the party at The Besty.

1:30 AM Arriving at the beautiful Betsy we were swept to a side stairway where a beautiful girl let us downstairs by way of secret password. The party that awaited us was in their New York-esq B-Bar, down a long hallway and through a side door, as The Misshapes were spinning and the party was still going strong. A sexy vibe in a cozy dark room, this was the perfect party that the night was building up to.

Saturday, Dec 5th

11 AM Head up to the 15th Floor to Eos to get ready for our Supper Club brunch in a few hours.  A few threatening clouds loom over us and rain droplets begin to indicate that our lavish outdoor brunch party is going to need to be moved inside. Still a stunning location and happy with an extensive and more than filling menu designed by Chef Michael Psilakis. After some last minute changes to the guest list I start to arrange the seating plan (my favorite part), curating the guests near each other like one might do in an art gallery.

1 PM Guests start to trickle in for our drinks reception, complete with (ri)1 Whiskey Mary’s and Mixed Mimosa’s as well as Blackbird Vineyard’s Ma(i)sonry Napa Valley Marsanne, Rose and their newest blend of Red Wine, the 2007 Arise,  as Winemaker Michael Polensky himself came to join us and share his knowledge about and inspiration about creating his wines.

2 PM After a brief toast to welcome and thank all of our partners, a decadent meal is served that drags on throughout the afternoon.

3 PM Guest speakers, Vivian Rosenthal, founder of Tronic Studio and Amy Lau, founder of Design Miami, share with the group a slideshow of their work that leads into a powerful discussion on art by Spread ArtCulture and City Magazine Editor, Eddie Brannan. After a lovely brunch, we are all full, of great food and drink and some fantastic new friends.

Little Girl Pony “Zenyatta” Beats the Boys at Breeders’ Cup

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A lady never pushes back, and that is what a princess pony like Zenyatta does as well. Her trainers were worried she wouldn’t stand up against the boys who are trained to rough-house through-out the race. Little Zenyatta simply backs off when the boys push her around. Yesterday marked the most important race in the Breeders’ Cup – the Cup Classic – and Zenyatta’s trainers prepped her all month, sending her to school just to learn how to push the boys back. But she wouldn’t do it. Click to Continue Reading

Jacob Hashimoto at Otero Plassart 'til November 7, 2009

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Jacob Otero Plassart is pleased to present former Los Angeles based artist Jacob Hashimoto’s most recent work Forest Collapsed Upon Forests. For this exhibition Hashimoto has built a site-specific installation comprised of hundreds of small, white, hand crafted, paper and wood kites that will hurtle over the wall, tumbling in a wave-like tangle into the gallery.

Hashimoto will also present seven new wall based, painting-like kite assemblages. The works are best defined as a kind of landscape basted abstraction referencing everything from American post-war abstraction, to 70’s pattern design, to hard-edged painting, and even postmodern 90’s slacker painting.

Jacob Hashimoto was born in 1973 in Greely, Colorado. He has exhibited at Palazzo Fortuny, Venice, Italy; The Saatchi Gallery, London, UK; Mary Boone, New York, NY; Studio La Città, Verona, Italy; Rhona Hoffman Gallery, Chicago, IL; Los Angeles County Museum, Los Angeles, CA; Galleria Nazionale d’Arte di Roma, Rome, Italy; San Jose Museum of Art, San Jose, CA. Hashimoto last exhibited in Los Angeles in 2001.

For further information, please contact Martha Otero or Melanie Plassart at tel. 323 951 1068 or visit our website http://www.oteroplassart.com/

Opening Reception: Saturday, September 12, 2009, from 6 to 9 pm

September 12 – November 7, 2009
Otero Plassart
820 N Fairfax Avenue
Los Angeles, CA 90046

Gallery Hours:
Tuesday thru Saturday from 10:30 am – 5:30 pm and by appointment

Gallery owners Melanie Plassart and Martha Otero
Exterior of Otero Plassart on Fairfax in West Hollywood


Jacob Hashimoto Forests Collapsed Upon Forests Installation View *(designed site specifically for Otero Plassart). Other Hashimoto site-specifics installations can be seen throughout the world. See Jacob’s publisher’s website for more. You also view a video of him working. Jacob Hashimoto was born in Greeley, U.S.A., in 1973. He lives and works in Los Angeles. Jacob Hashimoto is distinctly American yet he is also involved with his Japanese heredity in a genuinely creative, rather than imitative, manner. His latest development in which, in place of cascading clouds of kites, there arise hills and waves, is as delicate as before. And, just as previously there was a sense of airiness rather than of oppression, so now there is a sense of being uplifted. The delicacy of his forms, whether they descend and envelop or expand and climb, creates as much a space for the spirit as for the body. View more images here.

LEFT: Winding from Pillar to Post – Acrylic, paper, bamboo, nylon – 58 x 47 x 8 inches – JH2009.06
RIGHT: Small Triumphs and Defeats – Acrylic, paper, bamboo, nylon – 58 x 47 x 8 inches – JH2009.07

Exhibit runs through November 7, 2009 at Otero Plassart at 820 N Fairfax Avenue
http://www.oteroplassart.com/Site_2/CURRENT.html

Fall Book List

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Someday My Prince Will Come: True Adventures of a Wannabe Princess by Jerramy Fine

From Publishers Weekly
Many little girls dream of becoming a princess and finding their Prince Charming. Fine was no different and, at the age of six, traced the Windsor family tree to Peter Phillips, an English royal of her same age, and announced she would marry him. Unlike other girls, however, this dream did not fade away with adolescence. With a story line akin to a chick lit novel, her memoir follows her single-minded path to become suitable wife material for a prince, to move to England and to be swept away in a royal romance. Born to hippie parents in rural Colorado, Fine comes of age feeling out of place and escapes to the East Coast for college and then to graduate school in London. There she ingratiates herself into English social circles, eventually rubbing shoulders with Princess Anne, the Duchess of York and others. Amid her lessons in British society and the universal woes of dating, she also gains the important knowledge that the strength of one’s conviction can be the strongest predictor of one’s fate. Provided the reader doesn’t grimace to see her determination, intelligence and grace used to pursue a man she’s never met, Fine’s is a charming and humorous story.

Jerramy Fine wants to be a princess. At age 6, she announces that she is going to meet and marry the Queen of England’s grandson and even as she gets older, not once does she change her mind! But growing up with hippie parents in the middle of a rodeo-loving farm town makes finding her prince a bigger challenge than Jerramy ever bargained for. How can she prepare to lead a royal life when she’s surrounded by nothing but tofu and tractors?

Jerramy spends her lonely childhood writing love-letters to Buckingham Palace, and years later, when her sense of destiny finally brings her to London, she dives head first into a whirlwind of champagne-fuelled society parties in search of her royal soul mate. She drinks way too many martinis and kisses far too many Hugh Grant look-a-likes, but life in England is not the Disney fairytale she hoped it would be. Her flatmates are lunatics, London is expensive, and British boys (despite their cute accents) are infuriating. Sure, she’s rubbing shoulders with Princess Anne, Earl Spencer and the Duchess of York – but will she ever meet her prince?

The Trump Card: Playing to Win in Work and Life by Ivanka Trump

From a rising star in the business world, The Trump Card is a book for young women on how to achieve success in any field. Ivanka Marie Trump is a businesswoman, a one-time fashion model, and the daughter of Ivana and Donald Trump. Ivanka joined The Trump Organization in 2005 as a member of the development team and is currently Vice President of Real Estate Development and Acquisitions. She actively participates in all aspects of real estate development from deal evaluation, analysis and pre-development planning to construction, marketing, operations, sales and leasing.


Everyone Worth Knowing by Lauren Weisberger

Amazon.com Review: Lauren Weisberger, whose bestselling debut The Devil Wears Prada outed the vicious antics of the magazine industry elite, is back at it with Everyone Worth Knowing, another cautionary tale of sex, power, and fame. This time around, the PR industry is her target, and Prada fans will recognize similar themes throughout this entertaining, if at times overly dramatic, exposé.

Bette Robinson is a twentysomething Emory graduate who shunned her parents’ hippie ideals in favor of a high-paying yet excruciatingly boring job at a prestigious investment bank. One day, after a particularly condescending exchange with her boss (who sends her daily inspirational e-mails), Bette walks out on her job in a huff. After a few weeks of sleeping late, watching Dr. Phil and entertaining her dog Millington, Bette’s uncle scores her a job at an up-and-coming public relations firm, where her entire job seems to revolve around staying out late partying and providing fodder for clandestine gossip columns. What follows is one episode after another of Bette climbing up the social ladder at the expense of her friends, family, and the one guy who actually seems worth pursuing.

Weisberger is clever enough to turn seemingly outrageous circumstances into amusing anecdotes, like the tale of a woman who was close to suicide until she found out she was only 18 months away from scoring a highly coveted Birkin bag (“You simply cannot kill yourself when you’re that close … it’s just not an option.”). This wit, combined a hint of voyeurism that most of us can’t deny, is what makes Everyone Worth Knowing a guilty pleasure that’s well worth the indulgence. –Gisele Toueg

From Publishers WeeklyLily Rabe throws herself enthusiastically into her narration; she sounds like she’s having a ball, and listeners will, too. Rabe especially has fun with over-the-top Brazilian sexpot Adriana, making melodramatic pronouncements and calling everyone querida in a sexy, throaty exotic accent. She’s also great as Emmy, the marriage-and-family–obsessed member of the trio: Rabe’s sobbing, outraged delivery of Emmy’s rant about her boyfriend dumping her for his personal trainer is simultaneously touching and hilarious. Leigh is the straight man of the group, but Rabe’s performance conveys her doubts about her engagement realistically and sympathetically. This fun audio brings out the best in the novel.

One Fifth Avenue by Candace Bushnell

From Publishers Weekly: Sex in the City goes middle-aged, mordant and slapstick in Bushnell’s chronicle of writers, actors and Wall Street whizzes clashing at One Fifth Avenue, a Greenwich Village art deco jewel crammed with regal rich, tarty upstarts and misguided lovers. When a Queen of Society dies, a vicious scramble for her penthouse apartment ensues, and it’s attorney Annalisa and her hedge-funder husband, Paul Rice, who land the palatial pad, roiling the building’s rivalries. There’s Billy Litchfield, an art dealer who slobbers over the wealthy; strivers Mindy and James Gooch, and their tech-savvy 13-year-old Sam, the most hilariously bitter (and strangely successful) family in the building; gossip columnist Enid Merle and her screenwriter nephew, Philip Oakland, who struggle to uphold traditions and their souls; actress Schiffer Diamond, who lands a hit TV series, and her old love; and Lola Fabrikant, a cunning Atlanta gold digger whose greatest ambition is to become Carrie Bradshaw. Here are bloggers and bullies, misfits and misanthropes, dear hearts and black-hearts, dogfights and catty squalls spun into a darkly humorous chick-lit saga.

Glamorama by Bret Easton Ellis

Amazon.com Review
Glamorama is a satirical mass-murder opus more ambitious than Bret Easton Ellis’s 1990 American Psycho. It starts as a spritz-of-consciousness romp about kid-club entrepreneur Victor Ward, “the It boy of the moment,” an actor-model up for Flatliners II. Ellis has perfect pitch for glam-speak, and he gives nightlife the fizz, pace, and shimmer it lacks in drab reality. Anyone could cite the right celeb names and tunes, but like a rock-polishing machine, his prose gives literary sheen to fame-chasing air-kissers. He’s coldly funny: when Victor’s girl tries to argue him out of a breakup, she angrily snorts six bumps of coke, stops, mutters, “Wrong vial,” snorts four corrective doses from whatever she has in her other fist, then objects to a rival at the party wearing the same dress she’s wearing. You had to be there; Ellis makes you feel you are. But such satire is a very smart bomb targeting a very large barn. Models’ status anxiety doesn’t merit Ellis’s Tom Wolfe-esque expertise. Glamorama gets better when Victor gets drafted into a mysterious group of model-terrorists who bomb 747s and the Ritz in Paris, wearing Kevlar-lined Armani suits. Oh, they still behave like shallow snobs, pronouncing “cool” as if it had 12 o’s. But now when somebody swills Cristal, it’s apt to be poisoned, to horrific effect, which Ellis expertly, affectlessly describes. His enfant-terrible debut, Less Than Zero, aped Joan Didion. Now Ellis has grown into a lesser Don DeLillo–and that’s high praise. –Tim Appelo –This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly
The evil twin of fellow brat-packer Jay McInerney’s Model Behavior, Ellis’s (The Informers) bad trip through glitterary New York has everything his fans (and critics) have come to expect: graphic sex, designer drugs, rock ‘n’ roll allusions, splatterpunk violence and characters as deep as 8″x10″ glossies. Protagonist Victor Ward, a “model-slash-loser,” is opening his own trendy Manhattan club while cheating on his supermodel girlfriend and back-stabbing his partner. After some adventures in clubland, the plot takes a turn for the paranoid. Victor is recruited by a mysterious figure, F. Fred Palakon, to track down a former girlfriend gone missing in London. There he becomes unwillingly drawn into a terrorist group?run, like so much else in the novel, by a supermodel?that bombs fashionable hangouts, hotels and jetliners. Throughout, Ellis clutters his hallmark proper-noun realism with excessive name-dropping and strung-out plotting. The satirist in Ellis seems to want to indict celebrity-obsessed, materialistic and superficial contemporary culture. With this novel he, perhaps unwittingly but certainly ironically, provides Exhibit A. 100,000 first printing.

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"The Art of Tea" exhibit now open at UCLA Fowler Museum

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The “Steeped in History” show at Fowler Museum includes practical and ostentatious items. (Ken Hively / Los Angeles Times)


It’s tea time at UCLA’s Fowler Museum … Steeped in History: The Art of Tea on display Aug 16–Nov 29, 2009 Presented by Coffee Bean and Tea Leaf. Check out the L.A. Times photo gallery here.

Here are a few of my favorite Tea Parties …


Photo from Walt Disney


Photo via eHow.com


New York Times

Traveling from Asia to the West, tea has played a variety of profound roles on the world scene—as an ancient health remedy, an element of cultural practice, and source of spiritual insight. Historically it was also a catalyst for international conflicts and horrific labor conditions in various countries.

Throughout its history tea has been a prevalent theme in the visual arts—scenes of tea embellish ceramics and textiles and are the subject of paintings and drawings, and all manner of vessels have been fashioned for the preparation and presentation of tea. Steeped in History brings together rare Chinese ceramics and paintings, 18th- and 19th-century Japanese ceramics and prints, extraordinary English and Colonial American paintings, vintage photographs and historical documents, tea-serving paraphernalia and furniture from many countries, and much more —to tell the fascinating history of tea.

China, The Cradle of Tea Culture After a brief introduction to tea varieties, cultivation, and production, the exhibition considers tea’s mythic origins in the hills of South China. Tea was already in use as a medicinal plant in the Zhou dynasty (1046–256 BCE). By the time the Chajing, the first book on tea, was written in 780 BCE, tea was widely cultivated in southwestern China and had been elevated to an “elixir of immortality” in Daoism, used as imperial tribute, celebrated in poetry, enjoyed by literati, transported on camelback to the Central Asian steppes, and sold on street corners.

Over the centuries, Chinese artisans created the most inventive and infinitely varied kinds of teas, and the art and material culture of tea flourished. This section of the exhibition includes a lavishly painted portrait of Shen Nong, the legendary inventor of tea; exquisite porcelain tea bowls dating from the 8th–13th centuries; scrolls and watercolors illustrating Chinese tea trade and culture, and stereo card photographic prints depicting tea-making in Peking during the late-19th–early-20th centuries.

Chado, The Way of Tea in Japan The next section of the exhibition explores tea’s enormous significance in Japan, where it was first introduced, along with Buddhism, during the early Heian period (794–1185) by monks who had traveled to China to study Chan (Zen) Buddhism. Tea was drunk in monasteries and in some aristocratic circles, but it was not until the end of the 12th century that its role in Japanese arts and culture became more prominent, after the Buddhist priest Eisai brought back to Japan the powdered tea (known in Japan as matcha) then popular in Song China.

Tea drinking spread among the military aristocracy and the interactions between the warrior elite and Zen priests produced one of the early forms of chanoyu, known in the West as the Japanese tea ceremony. Tea was so central to Japanese culture by the second half of the Edo period (1615–1868) that everyday articles and accessories, such the netsuke, decorative Japanese belt toggles that hung from the sashes of kimono, were frequently decorated with tea-related motifs.

The opening of Japan to the West in the 1850s brought new topics and themes to tea-related arts, as well as to the development of tea wares produced for Western markets. Stoneware tea caddies, tea bowls, scrolls and other tea-related objects from the 10th–20th centuries attest to the long history and important place that tea holds in Japanese culture. A magnificent bed cover decorated with images of tea utensils and other auspicious items suggests how tea culture permeated even personal parts of Japanese life.

Tea Craze in the WestWhen tea first arrived in Europe in the early 17th century, it was not readily accept
ed. Tea drinking caught on quickly, however, in The Netherlands, where the import arrived along with Chinese and Japanese porcelain vessels for its preparation and serving. By the mid-seventeenth century the European upper classes had fully embraced the three exotic caffeinated beverages—coffee, tea, and chocolate—and gradually these imports became more affordable and their consumption spread to the general population. As the regimen of tea was popularized and perfected, artists and marketers strove to create the perfect tea accoutrements, and these became status symbols. Furniture was especially designed for afternoon tea, like the elegant French tripod table featuring a tea-drinking scene, circa 1680, on display.

The European porcelain industry took off after the long-held Chinese secret of porcelain making was finally understood in Germany in 1708. The exhibition features many early English teacups, sets, and caddies, as well as works on paper and paintings that attest to the status of tea in Europe.

The first tea to reach America was introduced by the Dutch, and the habit of tea drinking spread quickly among the colonies. In order to control the profits of the tea trade, the English Parliament sought to eliminate foreign competition by passing legislation that required colonists to import their tea solely from Great Britain, which led to the colonists buying smuggled tea—at half the price of British tea. This—accompanied by a number of tax acts that collected revenues for the Crown and at the same time penalized colonists’ consumption of smuggled tea—led to tea becoming forever associated with revolutionary actions, of which the Boston Tea Party is only the best known.

One of the highlights of the exhibition is the inclusion of several notable early American oil paintings showing the role of tea in colonial life, including works lent by the National Gallery of Art, the Maryland State Archive, and the Chicago Historical Society. Other works on view, such as a silver sugar urn from the Fowler collection by noted Boston patriot and silversmith Paul Revere, recall the role of tea in Revolutionary protests. A stunning array of elaborate tea vessels reveals the continuing popularity of the beverage in American culture today.

Tea and Empire Britain’s ever-increasing appetite for tea brought enormous profit to the British Crown and to the East India Company. This section of Steeped in History explores tea as a global commodity at the height of the British Empire, the development of large-scale tea plantations in northern India, and the link between tea and the Indian opium trade. Historical photographs show tea parties in Calcutta and tea production in Darjeeling, while a series of engravings depict the stages involved in processing opium.

Final works in this section reveal the ongoing dialogues about tea in relation to politics, agriculture, health, and society today. Advertisements like one from England circa 1939 proclaiming “Tea Revives You” show 20th-century notions of tea use while other works in the final section evoke contemporary concerns of the fair trade movement.

Mr. Lloyd Cotsen, in memory of Bob Ahmanson, generously funded the publication. Additional support is generously provided by Patsy and Robert Sung and The Edna and Yu-Shan Han Charitable Foundation. The accompanying programs are made possible through the Yvonne Lenart Public Programs Fund, the UCLA Asia Institute and Manus, the support group for the Fowler Museum.


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Harvard-Westlake grads launch new comic book series "Days Missing"

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Invite to Days Missing Comic Book signing Wednesday night

Two good friends Trevor Roth and Rod Roddenberry will hold a signing for their new comic book series Days Missing at the Golden Apple Wednesday night and I personally invite you to come.


Trevor Roth (Days Missing creator) and Rod Roddenberry (Star Trek Royalty) speaking about Days Missing and upcoming documentary “Trek Nation” at Comic-Con this year.

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Darren Romanelli (Brentwood '94) aka Dr. Romanelli x Hello Kitty x Medicom

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The doctor strikes again! Darren Romanelli (Brentwood ’94), better known today as Dr. Romanelli has made an artistic name for himself re-purposing famous childhood icons into modern revivals with a new twist. His particular penchant towards the medical practice is a reoccurring them (*see his Looney Tunes series).

The latest victim? Hello Kitty. Dr. Romanelli has gotten together with Sanrio for a special Hello Kitty collaboration produced by Medicom Toy. The project between the three companies includes three styles of DRx/HelloKitty figures in addition to a capsule apparel collection. The inspiration for the collection stems from the good doctors fascination with medical science. Welcome to the inner exploration of Kitty’s anatomy. You can keep up with Darren at his blog: http://blog.drromanelli.com/

Medicom Toy Exhibition was held in June and previewed Romanelli’s toys …

Hello Kitty dolls by Dr Romanelli

Darren also has the dopest website I have ever seen – visit http://drromanelli.com/ or check out some still below:



Photos from Dr Romanelli and Openers.

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Summer Reading List (part 2)

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“Rogues’ Gallery: The Secret History of the Moguls and the Money that Made the Metropolitan Museum”
by Michael Gross

This book tells all about the secret, dark history of the famous Met museum, made famous by annual Costume Institute Gala, this year headlined by Kate Moss and Marc Jacobs.

“Art for Obama: Designing Manifest Hope and the Campaign for Change
by Shepard Fairey’s and Jennifer Gross

Shepard Fairey’s “HOPE” portrait of Barack Obama inspired the “Hope Manifest” art exhibit and gallery set up in Washingotn D.C. during the Democratic National Convention and Obama’s inauguration. With the editorial help of Jennifer Gross, Shepard Fairey has compiled over 150 images from the campaign trail and the exhibit, and includes work from established as well as lesser-known designers. All profits are donated to Americans for the Arts.


Put on Your Pearls Girls
by Lulu Guinness

Fashion and hand-bag designer Lulu Guinness has come up with a nifty acronym for remembering how to dress and act in life: PEARLS, which stands for “poised, elegant, attractive, radiant, ladylike, sophisticated.”

The Sartorialist: Bespoke Edition
by Scott Schuman

Scott Schuman, a.k.a. The Sartorialist, has traveled the globe, from Rio, Beijing, Stockholm, snapping pictures of regular (read: not models) people sporting fantastic style for his eponymous blog.


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National Geographic Shot of the Month

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From Nat Geo: “My husband and I were exploring Lake Minnewanka in Banff National Park-Canada when we stopped for a timed picture of the two of us. We had our camera set up on some rocks and were getting ready to take the picture when this curious little ground squirrel appeared, became intriqued with the sound of the focusing camera and popped right into our shot! A once in a lifetime moment! We were laughing about this little guy for days!!”

Have a great shot? Send it to National Geographic magazine.

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Summer Reading List

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Gigi Levangie Grazer’s fourth novel, Queen Takes King, follows the world of upper-tier Manhattanites, centering on socialite Cynthia Power’s divorce battle with her philandering husband, Jackson. Grazer knows this topic well. She’s the ex-wife of Hollywood producer Brian Grazer and wrote about their me$$y divorce and aftermath in 2006′s The Starter Wife, which became a Lifetime series starring Debra Messing.

Dubbed “The Devil Reps Prada” by Gawker.com but the real title is Spin Robert Rave and is from a former Lizzie Grubman employee. Gawker published exerts from the not-yet-published manuscript all through July. In the vain of Amanda Goldberg and Ruthanna Hopper’s “Celebutantes,” the manuscript tells some dead-on tales that cannot be made up and is a must read for anyone thinking about going into the celebrity side of the PR business.

This Child Will Be Great, by Liberian president Ellen Johnson Sirleaf is her recorded memoirs of her remarkable life as Africa’s first woman President. Released in Apr 20, 2009. In January 2006, after the Republic of Liberia had been racked by fourteen years of brutal civil conflict, Ellen Johnson Sirleaf—Africa’s “Iron Lady”—was sworn in as president, an event that marked a tremendous turning point in the history of the West African nation. Sirleaf shares the inside story of her rise to power, including her early childhood; her experiences with abuse, imprisonment, and exile; and her fight for democracy and social justice. From her studies in the United States to her work as an international bank executive to her election campaigning in some of Liberia’s most desperate and war-torn villages and neighborhoods.

Crashing Through came out in 2007 but is particular important today because the sight-restoring revolutionary stem-cell transplant surgery given to Michael May, blinded at age three, in 1999 when was 42 years old, is getting more and more popular and successful. Before the surgery, Michael lived a full and rich life without vision; he broke records in downhill skiing, worked for the CIA and became a successful inventor. After a lifetime of identifying himself as a person who could not see, deciding to undergo the risky and life-altering procedure was not easy for May; the few documented cases of blind people regaining their sight indicate that it is an exciting and dramatic — but also terrifying — process. Author Robert Kurson chronicles May’s experience regaining his sight: from the joy of seeing his wife and his children for the first time, to the extraordinary frustration he faced learning to use his recovered eyesight.

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